365 Days of Art: July 2 – Van Gogh Visits Girlfriend in Hospital After Birth of Her Baby

Vincent van Gogh, Sien Nursing Her Baby, 1882

July 2, 1882

Vincent van Gogh visits his figure model and girlfriend, Sien, in the hospital, after the birth of her baby (Vincent is not the father). He writes to his brother Theo about how beautiful the baby is, and of his great joy at meeting him. But he sounds an ominous note when he reflects on his own mental illness:

But the sombre shadow still threatens, and the master Albrecht Dürer knew that when he placed Death behind the young couple in the wonderful etching you know. But we must hope that the sombre shadow remains only a shadow that will pass.”

In a particularly bittersweet passage, Vincent writes: “Well brother, you have it on your conscience that I’m so happy today that it made me cry.”

After about two years together, Theo convinces Vincent to leave Sien, who is a prostitute, cleaning woman, and self-described “whore”. This is the only domestic relationship that Vincent will ever have, outside of living with his family. Although Sien later marries, she eventually commits suicide by drowning herself in a river.

365 Days of Art: July 1 – De Kooning Begins Teaching, Lennon’s 1st Exhibition Opens, and A Crowd Protests Mapplethorpe’s Cancellation

Willem de Kooning, Untitled, 1948

July 1, 1948

Willem de Kooning begins teaching at Black Mountain College, an experimental art college near Asheville, North Carolina. Famous colleagues include Josef Albers, Buckminster Fuller, John Cage, and Merce Cunningham.

July 1, 1968

John Lennon’s first art exhibition, with Yoko Ono, entitled You are Here, opens in London.

July 1, 1989

On the night that Robert Mapplethorpe’s exhibition The Perfect Moment should have opened at the Corcoran Gallery of Art, about 700 people gather outside instead to protest its cancellation, due to political threats about the content of some of the photographs. One block from the White House, some of them chant ”Shame, shame, shame” as they watch projections of Mapplethorpe’s photos on the side of the museum. One of the speakers says that the Corcoran “…capitulated to the most narrow and mean-spirited redneck prejudices in canceling a superb and highly professional exhibition.”